Behind the Album
Women and Friends
Many of the cards
in this album were written to my grandfather. Almost all of these are from women. Some of his French
(Renée, Yvonne, Margot, Rachel, Manon) and Italian (Gilda, Ida) female correspondents are fairly
ardent in their postcards sometimes. It is hard to imagine how the thoughts and desires of an 18
year old French peasant girl like Margot expressed themselves in 1915, whether she had
real encounters with Percy or just a teenage crush, we cannot be sure. We know Margot and Percy exchanged photographs and she sent him a handkerchief.
We must not forget that these people were all very young and found themselves in the midst
of a major conflict. The French people of Picardy did not know how far the Germans would advance,
and whether or not they would be slaughtered in atrocities like some of their Belgian
contemporaries. The villages around Abbeville (like Le Plessiel where Margot came from) were
perilously near the front line, but although we now know that they were spared, (in WW1 anyway) they
did not know at the time how it would turn out. In wartime different rules apply, but I
like to think that my grandfather, (who you will see is a handsome man) was caring towards these
ladies, either as a friend or a lover. Their messages to him would indicate a great deal of
affection was reciprocated.
There are a couple of cards from
mates and several from someone called Paule Mowinckel. Later on Paule seems to be in the same
locations (Geneva, Uriage-les-Bains) as the woman called Manon. I like to think they are in this
photograph on the left. In her last card to Percy, Manon writes: "I wonder if we shall ever see
each other one day? I hope so! Do you? ". I find this very touching, as in all probability they never met again.
The Spanish Flu pandemic of 1918-9 which claimed so many lives in Europe is not mentioned by anyone by name,
though there are a couple of cards sent to Percy where people complain of
being ill around that time. We shall never know how it turned out for them.
Not included in the album, but part of my inheritance is a large photograph (below) of the Women's Army Auxiliary Corps at the
same building as the "L" signal company in Le Havre. The mystery WAAC who perches on the chair arm
in her uniform (above), is in the front row. The man next to her with the distinctive eyes was called Burt Chambers, he appears in a lot of photogrpahs. A lot of the women look French to me but I can find no evidence of the recruitment of women other than English Nationals at this time.
I think for the most part he was happy in Italy, I know he loved the food and the music and as a
keen swimmer, loved being on the Ligurian coast, at Savona particularly. The house in Cottingham
where my mother lived as a child was called "Savona" and my aunt (born 1925) was named Lucia after
the heroine of Puccini's La Boheme: "Mi chiamano Mimì,
ma il mio nome è Lucia. (They call me Mimi but my name is Lucia)" .
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